Seen a lot of moaning about how Link isn’t a female in The Legend of Zelda: Breath of the Wild? We have. Turns out, however, that those complaining were quick to judge the character on his biological appearance. Producer Eiji Aonuma is setting the record straight and reminding those in social justice circles that male anatomy might not be everything there is to a character:
…after Twilight Princess I went back to the drawing board and decided Link should be a more gender-neutral character.
In his longer interview with TIME Magazine he expressed that the design is meant to appeal to a wide range of players and not pigeonhole Link into one identity.
I wanted the player to think ‘Maybe Link is a boy or a girl.’ If you saw Link as a guy, he’d have more of a feminine touch. Or vice versa, if you related to Link as a girl, it was with more of a masculine aspect. I really wanted the designer to encompass more of a gender-neutral figure.
One of the most anticipated releases in the MMORPG world this year has been Guild Wars 2‘s first expansion Heart of Thorns. It came two years after the game’s initial launch and boasted the first raid, new class specializations and even a completely new class (in addition to plenty more). Last week players flooded into the new region to face the game’s recently awakened elder dragon Mordremoth and his hordes of minions.
So how is it? As someone who’s been playing for the last two years, the expansion feels very enjoyable so far. The class specializations take awhile to unlock (too long, according some of the most vocal critics of the new system), but the Hero Points needed offer a nice alternative to simply grinding enemies to gain experience for a new level as many MMOs opt for. Another new mechanic is gliding which feels smooth and offers a great way to traverse the new areas. Very reminiscent to Aion, another NCsoft-published MMORPG released in 2008.
Music and art direction are also strong. The background music is quite enjoyable and gamers may find themselves turning up their volume a bit to enjoy it. Plenty of new enemies have also been added and many feel unique and foreign. One of my favorite additions are the bipedal mushrooms which are happy to dive at players as they cross the jungle. Looking forward to discovering more as I venture further.
I can’t comment too much on the story, but playing the introductory sequence that brings you into the new region felt exciting and also set the tone for the story.
One special note I have to make is about the expansion’s launch: there was no downtime, no queues and little lag. Online games seem rarely prepared for hordes of players at launches or expansions, but ArenaNet did a great job of keeping the experience smooth and pain-free. I remember the launch of Warlords of Draenor and what a nightmare that was, so it was extremely refreshing to be able to play as usual even with such a surge of people.
Have you played yet? We’d love to hear your thoughts.
Niantic, the developer of Ingress and the upcoming Pokémon GO, has announced that it raised its Series A financing round, totaling an initial investment of $20 million and a further $10 million promised upon meeting agreed goals, from Google as well as gaming giant Nintendo and The Pokémon Company. The development studio is known for putting gaming into the real world; Ingress tasks players with physically traveling to locations in order to take control of them. Pokémon GO similarly showed trainers gathering together in New York’s Times Square in its announcement trailer to take part in a massive battle against a legendary Pokémon.
The involvement of Google may come as little surprise, considering that Niantic is headed by John Hanke who was one of the creators of Google Earth. Some may remember 2014’s April Fools joke which added a “Pokémon Challenge” to Google Maps. GO‘s logo bears a striking resemblance to the prank as well.
Fans of the Pokémon franchise should be happy to hear that the company tasked with bringing the monsters to our world seems to be well funded. This will be a drastic departure from the series’ previous games and allow trainers to interact in new ways with beloved characters. It’s clear that corporate knows expectations are high and Nintendo is also committed to develop new technologies, which may even appear in other franchises down the road.
Let us know in the comments what Pokémon you’d like to catch first in GO!
Nintendo is well known from their quirky gimmicks. We all remember the tragic release of the Nintendo Glove, the Wii motion controls, and the annoying Friend Code system. Perhaps one of the very first Nintendo gimmicks came with the game Mario Paint. At that time in the early 90s, basic home computers were starting to gain momentum in technology culture. Mario Paint saw to profit off of this strange, magical box known as a “computer” by the use of a computer mouse as a controller. As silly as it sounds, this was actually (in my opinion) one of Nintendo’s best gimmicky addons as it contributed a great deal to the style and cuteness of Mario Paint.
Mario Paint is set up like a series of computer programs, all playable with the use of a mouse. Players are immediately thrown into an immersive environment free of tutorials or instructions, so you can freely play around with the various tools and games at your disposal. As the title implies, you can “paint” various Mario scenes using dozens of colors and textures of your choosing. You can even create your very own scene using Mario textures and character stamps of classic 8 and 16 bit characters.
Probably the most memorable feature is the music game. Here, players can create their
very own song using silly in game sound effects like dog barks and cat meows. You can be as simple or complex as you’d like, as people have gone so far as to compose famous modern songs using the in-game sound effects.
What made Mario Paint truly amazing was the fact that amateur animators can use the games’ animation programs to paint simple looping animations, add music to them using the in-game music generator, and even record animations on a VHS tape. Gamers were essentially creating movies in the early 90s using their Super Nintendo, which is pretty goddamn amazing.
After nearly 25 years, some claim that Mario Paint is the most innovative thing Nintendo has yet to develop. Especially given the time of release, immersive and experimental games simply didn’t exist in the gaming culture. Mario Paint and the Nintendo Mouse both create a simple, fun game that you can easily sink hours without even realizing it. Go deeper into the music recording and animation programs and you’ve got a whole new beast on your hands.
Almost exactly one month ago I wrote an article asking, “Is there a way to bring trans characters into gaming without offending anyone?” My hypothesis was a firm “no” and not because I thought a Kim Davis-type conservative would be opposed to a transgender video game character. Quite the opposite; I believed that no character could ever be good enough for the ‘Progressive Left’ and any included would inevitably fall short of their expectations. Polygon has now provided ample support that even if a character, a titular character, may be transgender, or something alien-equivalent, there is still ample room to shit upon the game for not properly handling the issue.
This all stems from Bungie’s latest expansion to Destiny called The Taken King. Lore from out-of-game sources reveal that the King, Oryx, was born a female and during a power-infusing ritual he transitioned to male. I have read various theories about whether this alien species can really be considered transgender or if it is their biology, but for the purpose of this discussion it does not particularly matter, because, as Polygon writer Laura Dale put it, “For now, even if it’s subtle, we can claim Oryx [as trans].”
Although Dale is quick to claim him, she’s also very ready to take issue with him. The last half of her article is under the, “WE CAN’T PRAISE THIS AS A VICTORY FOR TRANSGENDER REPRESENTATION” header. Wait, what? One of the most important characters of a blockbuster game changes genders and you “claim” him for your cause, but this is not bringing the trans rights movement forward? It isn’t a success for sexual minorities and gender representation?
You can read Dale’s criticism below, pulled from her Polygon article:
If we lived in a world without the Internet tools we enjoy today, maybe I would accept this as a valid criticism since information would be harder to disperse. As I already said myself last month, “depicting a transgender character presents a challenge. In such a visual medium gender identity cannot be explained so easily. In fact, just as in real life, you may not know someone identifies as a gender that differs from their biological or birth sex.” Bungie has not provided much in-game lore, which many fans have been disappointed with, but has actually provided resources for those who care. If anything, Oryx’s gender identity could be more of an easter egg.
And where does the gaming press’s responsibility fall into this? Dale found out about the Taken King’s backstory and has a huge platform on which to share it: Polygon (or Destructoid). Gaming sites aren’t just for printing press releases breathlessly sent out by PR firms to sell games. They’re for exactly these sort of situations. To inform video game fans about information they may not know. A whole different narrative approach could have been taken with this article, one of discovery and appreciation. Instead there’s a bit of the latter mixed in with a surprising bitterness. A heaviness pervades the article, just because a character was not portrayed in a way which the author wanted.
Furthermore, would it not be awkward to have Oryx clearly stated as transgender (again, this may not be the best term to describe the situation, but we’re going with it) and then ask players to kill him?! Which is really more offensive? I think Bungie took the better route of relegating lore to its separate app, as it does with most of Destiny, instead of potentially causing a firestorm of outrage among these same writers who are complaining the villain’s gender identity is not given exposure in-game before you take up arms against him.
I just don’t see “Progressives” understanding how progress actually works. Life is a series of small victories and if you’re not willing to acknowledge any but the biggest of them, you may find that there aren’t too many victories to celebrate. So too in video game diversity.
As always I’m interested to hear others’ thoughts and comments about this issue.